This wasn't exactly my case, as I was already working for HARPER'S BAZAAR, the competing high fashion magazine. But GLAMOUR's art director, Miki Denhof, was fond of my "realistic" style. When we first met (I believe it was in 1960) she had asked me to do a test session, and I had photographed the models in the very offices of the magazine, which impressed me by their functionality and their difference from the offices in Paris and London to which I was used. For the editors of GLAMOUR, in return, this change from their usual, "glamourous" backgrounds in the Caribbean had been a surprise...